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With a distinctive voice in Jazz, Funk and Fusion, Tom competed against over 270 artists from over Europe for the title. Entries were judged by a panel including US record producer Brian Bacchus; England´s jazz superstar Jamie Cullum; and French festival and radio producer Sebastien Vidal. As winner of this year’s RISING STARS Jazz Award, Tom will embark on a 2018 tour of seven of the major jazz festivals in Europe. These include the Nice Jazz Festival in France; JazzOpen in Stuttgart, Germany; Heineken Jazzaldia in San Sebastian, Spain; the Kongsberg Jazz Festival in Norway; the Cheltenham Jazz Festival in the UK; the North Sea Jazz Festival in The Netherlands; and the Leopolis Jazz Festival in Lvov, Ukraine. In addition, he will receive PR and marketing support. Commenting on the award, Jamie Cullum said: “It is encouraging to see that there are so many unbelievably talented musicians out there. Tom is only 18 years of age, but plays with the feel of a veteran and has a tool kit of musical abilities that allows him to step up at any given moment to put his stamp on the music”. Born in October 1999, Tom began playing guitar at the age of 6 and was influenced by artists including Miles Davis, Pat Metheny, Weather Report and Wes Montgomery. He released his debut album 15 in 2015, 4 years after starting to compose original songs. Over the years, Tom’s talent has been recognized by jazz greats including Marcus Miller, Richard Bona, Didier Lockwood and Sylvain Luc, who have all invited him to share the stage with them on various occasions. See Tom perform live: https://www.youtube.com/watch?v=XQJJyXY0dpo [post_title] => Tom Ibarra is the winner of the Rising Stars Jazz Award [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => tom-ibarra-is-the-winner-of-the-rising-stars-jazz-award [to_ping] => [pinged] => [post_modified] => 2018-01-29 08:37:57 [post_modified_gmt] => 2018-01-29 07:37:57 [post_content_filtered] => [post_parent] => 0 [guid] => http://heinekenjazzaldia.eus/?p=13774 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 13077 [post_author] => 2 [post_date] => 2017-07-27 16:18:56 [post_date_gmt] => 2017-07-27 14:18:56 [post_content] => Gregory Porter 900x c Lolo Vasco_52 Heineken Jazzaldia_156 A little more than 156,000 spectators attended the 105 performances on 17 different stages. The dates of the 53rd Heineken Jazzaldia are from 25-29 July 2018. The 52nd Heineken Jazzaldia has come to an end with the sensation of having been one of the roundest in its history, with excellent artistic quality, mentioned almost unanimously by the media, and enthusiastic public response which, it has to be said, generally tends to be the case. The total number of spectators were around 156,500, including the 17,000 accounted for in the areas of controlled access and the estimated 139,500 of the open stages. Here more information.
[post_title] => Un unforgettable 52nd Heineken Jazzaldia thanks to the quality of its artists and the enthusiasm of its audiences [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => un-unforgettable-52nd-heineken-jazzaldia-thanks-to-the-quality-of-its-artists-and-the-enthusiasm-of-its-audiences [to_ping] => [pinged] => [post_modified] => 2017-07-28 10:03:20 [post_modified_gmt] => 2017-07-28 08:03:20 [post_content_filtered] => [post_parent] => 0 [guid] => http://heinekenjazzaldia.eus/?p=13077 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 12527 [post_author] => 2 [post_date] => 2017-07-12 19:03:35 [post_date_gmt] => 2017-07-12 17:03:35 [post_content] => Publico-Plaza-Trinidad-Tea-for-3-20111 A series of new safety measures will apply to the Plaza de la Trinidad throughout the 52nd Heineken Jazzaldia, bringing it into line with the stipulations of the recently-announced Basque Government Gaming and Entertainment Law. The legal capacity of the Plaza de la Trinidad is now 1,780 spectators. Seats cannot be reserved in the area above the Bolatoki (traditional bowling alley) due to safety reasons and limits on the capacity allowed in this area (a maximum of 214 people). Security staff will be doubled and more emergency exits will be available. The aisles between the chairs will be wider, there will be fewer bars and more portable toilets. All of these steps are being taken not only to meet the stipulations of the law, but also to guarantee the safety and comfort of the audience. [post_title] => A reduction in the legal capacity of the Plaza de la Trinidad entails the need for new safety measures [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => open [post_password] => [post_name] => a-reduction-in-the-legal-capacity-of-the-plaza-de-la-trinidad-entails-the-need-for-new-safety-measures [to_ping] => [pinged] => [post_modified] => 2017-07-12 19:03:35 [post_modified_gmt] => 2017-07-12 17:03:35 [post_content_filtered] => [post_parent] => 0 [guid] => http://heinekenjazzaldia.eus/?p=12527 [menu_order] => 0 [post_type] => post [post_mime_type] => [comment_count] => 0 [filter] => raw ) [3] => WP_Post Object ( [ID] => 8975 [post_author] => 2 [post_date] => 2016-07-28 11:55:32 [post_date_gmt] => 2016-07-28 09:55:32 [post_content] => The total number of spectators was in the region of 175,000 and the atmosphere reigning throughout the city was magnificent The 51st Heineken Jazzaldia surpassed all expectations as regards both audience numbers and artistic excellence. The total number of spectators was in the region of 175,000, of whom 19,075 flocked to the ticketed concerts while the remainder enjoyed the numerous free performances. Several of the concerts held in the Plaza de la Trinidad, the Kursaal Auditorium, the San Telmo Museum and the Victoria Eugenia Theatre had to hang up their “sold out” signs. The atmosphere in San Sebastian, packed with visitors, was one of overall satisfaction with the extensive Festival programme. The number of stages was increased to 20, for the first time using one of the city’s most charming spots, the Plaza de la Constitución. The number of performances came to 132, of which 84 were free of charge. Furthermore, numerous establishments throughout the city programmed jazz performances on their terraces, all helping to guarantee that jazz could be heard any time, any place.

HERE more information

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Author: jazzaldia

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